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Eight extreme objets d'art.

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EIGHT EXTREME OBJETS D'ART (Art objects):

multimedia pieces (oil on canvas, photo, internet, chain, rope, thread, staples, plastic, feathers, cloth etc.) which are about vulnerability ... also reflected in the fragility and temporality of each piece.

1) Stopp folkemordet (stop the genocide).
2) Asteroid storm.
3) Danger of nuclear holocaust.
4) Devaluation of greed.
5) Caught up in the moment.
6) Gay stigma.
7) Oil: black gold - resource and cause of destruction.
8) Congo, cell phones and coltan.


All of these pieces are small in size (30 x 30 cm, 24 x 34 cm and 20 x 20 cm).

Gay stigma is an objet d'art based on gay stigma - very exciting - using an old photo of gay prisoners from nazi germany, the pink triangle (which has been revived by today's gay activists as a symbol of pride), and on the inside a crudely painted and tainted gold and pink era of new gay progress with a hangman's rope - signifying that gays are still suffering from oppression and stigmatization, which often leads to suicide or execution. The photo (re-done in pink overtones) and the pink triangle function as an envelope covering the painting installation underneath. (Tainted dreams no. 2)

Stopp folkemordet (stop the genocide) is made with material which evokes memories of the Nazi prisoner uniforms, but the newness of the materials used reminds us that genocide continues even today - all over the world.

Danger of nuclear holocaust shows the white flash at the moment of nuclear explosion, depicted by white on white squares, while lightly sewn on the face of the painting is a warning in Morse code: Nuclear holocaust, and wrapped gaily around the painting is red and white plastic used to rope off areas of danger. The usage of thread in many of these pieces alludes to the ease with which we humans can tear away those warnings that we do not wish to see or deal with.

Devaluation of greed shows tainted prosperity in lime green with gold leaf fading and disintegrating, over the painting is a cut down image of a dollar bill - lightly hanging over the top of the painting. (Tainted dreams no. 1)

Oil: black gold is a commentary on our primary energy resource, which has both served us well and which is also the cause of current political, economic and environmental disorder and strife. This painting shows gold leaf on a black background (elegantly expressed), but hanging from the side of the painting is a photo postcard of an unknown tourist in Norway sitting outside an old-fashioned gas station, now only found at a museum in Oslo (the Folk Museum).
On the back side of the postcard is written a greeting from Oslo, Norway, where the oil and gas flow freely and where there is no sign of global warming.

Caught up in the moment depicts two women caught up in their thoughts. This work includes photo, gold leaf and feathers on a black background, all covered with black netting, and with a piece of a dream catcher hanging over the front of the art work. This piece represents the individual and collective need to get away ... inside ourselves - free to wander in our thoughts and reflections. This is, unfortunately, a personal freedom that not all have the everyday luxury of enjoying in our world today. This is also represented by the black material covering the images of these women - both protecting them from the outside world and silencing them from participating in it.

Asteroid storm features gold leaf on a rough and starry midnight blue background, depicting the danger and beauty of an asteroid storm, which could change the Earth and the course and survival of humanity forever. Alongside this small painting is the asteroid impact Torino Scale and a roulette wheel, tucked away inside a plastic envelope which is tacked to the wall - a reminder that everything is a game of chance, and the feared asteroid collision with the Earth in 2014 is nothing most bother to think of or worry about. We have many other worries that seem more tailor-made for these difficult economic times. In fact, so many that we quickly forget about injustice, genocide and natural disasters until they rest squarely upon the shoulders of the individual in question.

Congo, cell phones and coltan is a beautiful piece depicting the national colors of the Democratic Republic of the Congo, African animal patterns, gold leaf and gold paint that illustrate the wealth of the coltan market, and with a bloody cell phone in a plastic bag hanging from brass wire wrapped around the painting. The work illustrates the role of the export of coltan for usage in cell phones and computers worldwide in perpetuating violence and death in the Congo, and the responsibility of consumers.


All of these art objects illustrate the dangers of self-involvement, greed and unknown disasters which can either bring us together or split us apart as a human race -- the choice and the challenge are always ours.


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For more images of these extreme objets d'art, click on this link.

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